Showing posts with label art objects. Show all posts
Showing posts with label art objects. Show all posts

Friday, 8 May 2015

Solo-show and other delights

#artling 43 (2015)

On Saturday I gave an artist's talk via Skype during the private view of my solo-show Strands of wishful thinking: Hairlings and other things at R-Space Gallery in Lisburn, Northern Ireland.
Here you can see an illustrated version of the talk, which will also give you an impression of the actual exhibition:

Greetings from the in-between

Marion Michell 
Strands of wishful thinking: Hairlings and other things 
2 – 30 May 2015 
Artist’s talk at 3 pm on 2 May 2015 

R-Space Gallery 
The Linen Rooms 
32 Castle Street 
Lisburn BT27 4XE 
Northern Ireland

Monday, 15 December 2014

Wavering&wariness

First time the sea (2014)
Materials: Photograph and crochet
Dimensions: 13.8 cm x 20.2 cm

As ever I'm posting images here, and if you're interested and would like to find out more their context please follow the link to my blog  

Sleep-drunk I dance

on a-n Artists's Blogs and read, esp. as writing&making have become completely enmeshed. You can leave comments here or there, whichever is easier.

Wishing you a relaxing&restoring Xmas-break!

Sunday, 30 November 2014

Sideways glances, edgeways stances

Nary a one (2014)
Material: crocheted from wool/silk yarn
Dimensions: 39 cm x 48 cm

Nary a two (2014)
Material: crocheted from wool/silk yarn
Dimensions: 24 cm x 30.5 cm

As ever I'm posting images here, and if you're interested and would like to find out more their context please follow the link to my blog  

Sleep-drunk I dance

on a-n Artists's Blogs and read, esp. as writing&making have become completely enmeshed. You can leave comments here or there, whichever is easier.

Sunday, 16 November 2014

Cuffs and collars and a halo of night


As ever I'm posting images here, and if you're interested and would like to find out more their context please follow the link to my blog  

Sleep-drunk I dance

on a-n Artists's Blogs and read, esp. as writing&making have become completely enmeshed. You can leave comments here or there, whichever is easier.

I also post An #artling a day under @marjojo2004

Monday, 3 November 2014

Gifted? charged? challenged?

Work-in-process (2014)
Materials: Crocheted bib, paper
Dimensions: 16 cm x 28.5 cm

As ever I'm posting images here, and if you're interested and would like to find out more their context please follow the link to my blog  

Sleep-drunk I dance

on a-n Artists's Blogs and read, esp. as writing&making have become completely enmeshed. You can leave comments here or there, whichever is easier.

Thursday, 23 October 2014

Crossing thresholds

Work-in-process (2014)
Folded handkerchief, photograph

As ever I'm posting images here, and if you're interested and would like to find out more their context please follow the link to my blog 

Sleep-drunk I dance

on a-n Artists's Blogs and read, esp. as writing&making have become completely enmeshed. You can leave comments here or there, whichever is easier.

Friday, 20 July 2012

Foundling


As promised I'm posting here too when I've got fresh-from-the-hook work to present:
Meet the first in a new series, inspired by a visit last year of Threads of Feeling at the Foundling Museuma moving exhibition of selected textile tokens from the 18th century, at the time the only permitted means of identification for the babies left at London Foundling Hospital’s doors.
I crocheted the piece with a thin hook as I wanted a weave of tight, dense stitches, almost unyielding to the touch, like a suit of armour, a carapace of sorts. A shape to grow into or out of… The work is deliberately flat while preserving the potential wearability of a garment. I’m drawn to between-ness - 2D/3D, outfit/image, crochet/painterly, real/imaginary, sweet/perturbing.
Much of my work is about inscribing difference in a subtle, intimate way: something missing, something in excess, something just very slightly other, that catches you unaware, stings you a little and then a little more.
Would you think that crocheting leaves (admittedly small) marks on the body? I managed to get another callus on the tip of my left middle-finger, with a wee hole at its centre… Ouch!
My Acrobat was not selected for Outside the White Cube, alas. No somersaults… In need of chocolate, kisses, spirits, in that order.
But I’m glad I’m writing here about my first foundling, it’s focused my thinking and given me another idea, a new place to take things. Yay! Somersaults after all.

Foundling (2011/12)
Material: Crocheted from cotton-thread
Dimensions: 24 cm x 28 cm

Tuesday, 17 April 2012

Now open


How near I had forgot
Materials: Crocheted from artificial hair

Dimensions: 16 cm x 12 cm

Collectible

curated by Rosalind Davis and Annabel Tilley
Small works by high profile and promising Collectible artists
from £50-£500

Artists:
Guy Allott, Paul Benjamins, George Bolster, Kate Bowen, Andrew Bracey, Tom Butler, Ben Coode-Adams, Emma Cousin, Graham Crowley, Rosalind Davis, David Dipre, Sarah Douglas, Freya Douglas Morris, Annabel Dover, Charlie Dutton, Karl England, Alyson Helyer, Andrew Hewish, Jack Hutchinson, Peter Jones, Nick Kaplony, Sharon Leahy-Clark, Simon Leahy-Clark, Cathy Lomax, Wayne Lucas, Fiona MacDonald, EJ Major, Amy McKenny, Nadege Meriau, Marion Michell, Clare Mitten, Amy Moffat, Kate Murdoch, Elizabeth Murton, Michaela Nettell, Charlotte Norwood, Wieland Payer, Alex Pearl, Edd Pearman, Gaia Persico, Kate Pickering, Chantelle Purcell, Freddie Robins, Alli Sharma, Gordon Shrigley, Lisa Snook, Corinna Spencer, Emily Speed, Melanie Stidolph, Giulia Ricci, Annabel Tilley, Virginia Verran, Mark Scott-Wood, Boa Swindler, Rich White, Andy Wicks, Jenny Wiener, Rachel Wilberforce, Chiara Williams, Sarah Williams, Jo Wilmot, James Wright, Peter Wylie.

Private View Tuesday 17 April, 6-8.30pm
18 - 28 April (Thursday-Saturday, 1-5pm)
Open for SLAM Last Fridays 6-8.30pm
Artists & Curators Dialogue - Saturday 28 April, 4-5 pm

at
Bond House Gallery
ASC Bond House
Goodwood Rd
New Cross
London SE14 6BL

Tuesday, 10 January 2012

I am delighted to be part of

Tabitha Moses, Hairpurse, 2004; Wen Wu, Hairplay II, 2011

BRAIDED TOGETHER
Hair in the work of Contemporary Women Artists


From the press-release:
You are warmly invited to attend the Private View of Braided Together at New Hall Art Collection on:
Sunday 15th January 2012, from 4 - 6 pm.

Organised by artist run gallery BHVU, the exhibition is the first of its kind to consider the intricate relationship between women and hair.
Braided Together unites ten international contemporary women artists who each share an interest in the symbolic expression of human hair either as material or subject in their work. Inspired by the work of women Surrealists, the exhibition investigates specifically female and art historical concerns such as fragility, loss and power. Featured works include painting, etching, sculpture, drawing, photography and video, resulting in a truly dynamic exhibition that seeks to reinterpret the symbolism of hair through a multitude of female voices.

Braided Together commences its tour at New Hall Art Collection, Murray Edwards College, Cambridge, and will then travel back to its gallery of origin, BHVU. All of the art historical and theoretical ideas raised by the exhibition will be considered in an accompanying catalogue – this will include images of all works shown, as well as work by artists Elina Brotherus and Hong Zhang and Kiki Smith, and three commissioned essays written by academics specializing in this field.

Exhibiting artists:
Marcelle Hanselaar, Marion Michell, Tabitha Moses, Karen Bergeon
Mary Dunkin, Wen Wu, Jenni Dutton, Trish Morrissey, Jessica Lagunas, Samantha Sweeting

Dates:
New Hall Art Collection, Murray Edwards College, Cambridge CB3 0DF
Open to public: 15 January – 11 February 2012
Entrance through College's Main Entrance off Huntingdon Rd
Opening times: 10am - 6pm everyday
Admission: Free

BHVU Gallery, Stoke Newington, London
Open to public: 18 February – 18 March 2012
Opening times: 12 - 6pm Saturday + Sunday or by appointment
Admission: Free

Wednesday, 20 July 2011

TWISTED - exhibition

A fresh encounter with contemporary craft

The exhibition at Phoenix Brighton 'focuses on work by seven artists who employ the traditional materials and techniques of textiles and ceramics, but manipulate and twist them into different forms, altered meanings and new directions. Wriggling out of the traditional domain of ‘craft’, these objects escape the plinth, shelf and glass cabinet, occupying the gallery as unconventional wall pieces and installations that you can walk through.'

With Kay Aplin, Rosalind Davies, Rosie James, Marion Michell,
Karin Schosser, Isobel Smith, Alice Walton


July 23 – August 21, 2011
Wed - Sun 11am - 5pm
PREVIEW: Friday 22 July, 5 - 7 pm

Address:
North Gallery
PHOENIX BRIGHTON
10–14 Waterloo Place
Brighton BN2 9NB
East Sussex

Friday, 15 July 2011

Every day we tried to be good


Sometimes, when I finish a piece of work, put it aside for a bit and suddenly come across it again - I see it as if for the first time. If I'm lucky, and then I know I've got something right, I fill up with pleasure at what I've made. An idea which used to live in my head and in a tiny drawing on a scrap of paper - has become real! It's almost like feeling a kind of tenderness, what a weird idea, and there's a sense of recognition, by which I mean, I find some of what I wanted to express. I can see its faults too, but that's o.k. Christian Boltanski, whose work fascinates and moves me, said somewhere that he wants his audience not to discover but to reconnect. Less modest than you think at first. Good enough for me.

Materials: crocheted from Jaggerspun Zephyr Wool-Silk
Dimensions: 35 cm x 35 cm and 34 cm x 35 cm

Wednesday, 7 March 2007

Here is one I made earlier


Normally I am surrounded by what I have made and what I am making. I have just moved and my art is still in boxes, apart from the piece I am working on now. I feel almost disoriented without my art around me and am surprised myself by how elusive my identity as an artist seems. It's been a while since I've had work in an exhibition, well, several months really, and posting work now feels like a good move towards getting my work seen and getting feedback for it.
At the moment I am crocheting, something which I can do lying down, which is brilliant, as I'm not very well just now. I love seeing the ball of wool diminish slowly and becoming formless and the new piece growing and taking shape. It's as good a way as any of measuring time and achievement. My ideas and influences come from myths and fairytales, childhood memories, artbooks, my materials from haberdashery departments, hair shops, paper shops...