Thursday, 17 May 2012

Here and there?



I keep wondering whether I should post here and at a-n, as I miss my little blogspot-community. Maybe I should just try it out? What do you think?
Some of you may remember that I posted about Louise Bourgeois before – I just went to have a look, and burst out laughing: on 22 October 2007 I wrote about seeing her show at Tate Modern and I posted the same pic as the one chosen (without checking) for my entry on the a-n site a few days ago!
(Beware if you've read the a-n post - I’ve only changed my text incrementally):
I had long been looking forward to a rather special art-outing with a friend, to visit Louise Bourgeois: The Return of the Repressed at the Freud Museum. As you know she is one of my favourite artists and the idea of her work presented in the rooms where Sigmund Freud lived with his family and analysed patients is tantalizingly interesting to me. In this environment her work will be charged anew and I crave to see it.
In her last decade (she died at 98) she seemed a little husk of a woman, but was still fiercely at work. Memory was her draw-well. Night after sleepless night that cyclop eye roved back in time. Greedy for their stir, their prick, the quickening of her, she probed old wounds, laid fault-lines bare, right ‘till the end.
Well, I can’t go. Body says no. Another ‘if only’ on the scrapheap. Am a tiny bit better, and with some help managed this week’s medical appointment, but that’s it. Thought one morning (you see, I’m finding it hard to let this go) – if I went, maybe I could rest on Freud’s couch for a few days and then slowly have a look around. Quite like the idea: during the day I’d be part of the exhibit (I won’t move much, promise!), and at night, when all is still, I’d hear the ghosts of Freud and Bourgeois arguing in German and French-tinted whispers about the place of woman in psychoanalytic theory.
M.E. can seem like a thief. Its booty is your energy, half a sackful of cognitive functions and whatever else it can find. Out goes your profession, your social life, the way you were in the world.
The strange thing with M.E. is, that outwardly you’re hardly changed at all. I’m a bit paler, a bit thinner, and not so much in the vertical, but without obvious marks on my body: no operation scars, no open wounds, no bits missing or growing where they shouldn’t… But to myself I am changed, physically, mentally. Looking at this drawing earlier, made in a different context some years ago, I thought: this is a bit what it feels like, as if one moment I’m looking down at my feet and all is well, and when I look next there’s an extra one and I have no idea how or why. And then that becomes normal too and has its own beauty and you make art from it.

Untitled pencil drawing (2001)

A4

Thursday, 10 May 2012

This is not goodbye!

Dear all,
Please look me up at my new/parallel blog on a-n Magazine’s website: 
Sleep-drunk I dance
As ever greedy for your comments. Will keep visiting your blogs too!
The connections I made here over the years, the nurturing and support I received, have sustained and inspired me and my art-practice has benefited immensely. See you soon!
You can also look me up here:
www.marionmichell.com

Wednesday, 2 May 2012

snap! opens today

I can't be there but a piece of mine is!



South London Women Artists (SLWA) are pleased to present snap!
at Bankside Gallery, Hopton Street, London SE1.
Private view and SLWA Women Artists’ Diary Launch Wednesday 2 May 6 - 9 pm
Open 2 - 7 May, 10 am - 6 pm

Curated by Althea Greenan, Dr Lara Perry and Sarah Sparkes.
This second major exhibition of members' work will also display archived Women Artists’ Diaries lent by The Women’s Art Library collection at Goldsmiths University of London, includes the 1999 edition featuring SLWA member Jackie Brown.
Our exhibition catalogue is a SLWA diary for the academic year 2012/13 (£10)
and this will join the collection in The Women’s Art Library after the show.

Other events:
Thursday 3 May 1:45 - 3 pm: Giant Bankside snap! School Event
Saturday 5 May 3 pm: Gallery talk by Dr Susan Wood
Sunday 6 May 3 pm: Performative event by SLWA members
Free Admission. Wheelchair accessible

Tuesday, 24 April 2012

Sleep-drunk I dance

I’ve started a new blog on a-n Magazine’s website, trying to widen my audience, to find ways of engaging more and deeper with other artists and art-professionals. Have yet to work out if/how I’ll combine this blog with Sleep-drunk I dance, just know that I'm in need of connection and communication, even if that means my art-making has to go on the back-burner for a bit. So very tired, but: new adventures...

Tuesday, 17 April 2012

Now open


How near I had forgot
Materials: Crocheted from artificial hair

Dimensions: 16 cm x 12 cm

Collectible

curated by Rosalind Davis and Annabel Tilley
Small works by high profile and promising Collectible artists
from £50-£500

Artists:
Guy Allott, Paul Benjamins, George Bolster, Kate Bowen, Andrew Bracey, Tom Butler, Ben Coode-Adams, Emma Cousin, Graham Crowley, Rosalind Davis, David Dipre, Sarah Douglas, Freya Douglas Morris, Annabel Dover, Charlie Dutton, Karl England, Alyson Helyer, Andrew Hewish, Jack Hutchinson, Peter Jones, Nick Kaplony, Sharon Leahy-Clark, Simon Leahy-Clark, Cathy Lomax, Wayne Lucas, Fiona MacDonald, EJ Major, Amy McKenny, Nadege Meriau, Marion Michell, Clare Mitten, Amy Moffat, Kate Murdoch, Elizabeth Murton, Michaela Nettell, Charlotte Norwood, Wieland Payer, Alex Pearl, Edd Pearman, Gaia Persico, Kate Pickering, Chantelle Purcell, Freddie Robins, Alli Sharma, Gordon Shrigley, Lisa Snook, Corinna Spencer, Emily Speed, Melanie Stidolph, Giulia Ricci, Annabel Tilley, Virginia Verran, Mark Scott-Wood, Boa Swindler, Rich White, Andy Wicks, Jenny Wiener, Rachel Wilberforce, Chiara Williams, Sarah Williams, Jo Wilmot, James Wright, Peter Wylie.

Private View Tuesday 17 April, 6-8.30pm
18 - 28 April (Thursday-Saturday, 1-5pm)
Open for SLAM Last Fridays 6-8.30pm
Artists & Curators Dialogue - Saturday 28 April, 4-5 pm

at
Bond House Gallery
ASC Bond House
Goodwood Rd
New Cross
London SE14 6BL

Saturday, 14 April 2012

The stuff of life

A while ago I aired my frustration about not being able to stay for the first (or even try to attend the second) Creative Practice Seminar organized by Zeitgeist Art Projects. Actually I had to leave when Jack Hutchinson began his introduction to digital networking, something I thought I should be interested in. Ideally I just want to make work, but that’s not enough if I want it seen, and given that due to M.E. I am mostly housebound and rarely go to private views, seminars, or workshops I need to find other ways of communicating. So no more agonizing about missing all those opportunities for networking with other artists, gallerists, curators, and how that affects if and how my work makes it into the world – time to try myself out in new ways.
I went home with Jack’s handout, which I dug out last week, intent on understanding what Twitter is about. Yeah, I’ve not tweeted before, felt skeptical about it, wondering if it has anything to do with my very slow, not-much-on-the-move life, but I’m making tentative moves now, as it’s short and to the point and ideally won’t drain my energies too much. Don’t want to use it though to spurt more nothings into the world - would like to find a way of making it meaningful. Torn between doubts about self-promotion and the realization that no-one will do it for me.
Some of my friends wonder why I put so much of myself and my meagre energies into making art, but I think it’s what’s keeping me going. Through the process of making art we connect, explore, question, understand, change and challenge – the stuff of life. And it’s not just a personal matter. In an article by said JH (once you’ve heard a name you find it everywhere, don’t you) in April’s a-n Magazine, Do Artists Have a Duty to Campaign?, Elizabeth Murton says: "I want 'artist' to be recognised as a valid career option and creativity as a valid thinking method. More importantly, I think art should be considered not in isolation, but with other specialisms. It is an enhancement to all ways of thinking and being, and not just a lifestyle choice. It is a tool for enhancing life." We need it. The world needs it.

PS. Tried to link twitter button to blog, but gadget seems broke. Until it works again, this is my twitter id: @marjojo2004. Now I just need to learn how to tweet...

Thursday, 5 April 2012

Hairself


How near I had forgot
Materials: Crocheted from artificial hair

Dimensions: 16 cm x 12 cm


How gratifying to have finished a piece of work! I’ve made this for Collectible, the first exhibition curated by Rosalind Davis and Annabel Tilley as part of their ingenious, thriving brainchild Zeitgeist Arts Projects. The artists were asked to contribute a piece of up to A4-size, within a price range of £ 50,- to 500,- So nice to be invited to take part – it is proof of the fruitful relationship arising from working on Extra-Ordinary at Core Gallery (curated by Rosalind Davis and Jane Boyer) which still serves as a measuring stick for any show I’m involved in.
This is not the only piece I’ve been working on, there’s a larger project which is taking rather longer, as, when fatigue is at its worst, I have ragdoll arms, but the wait will be worth it, if I say so myself.

Private View Tuesday 17 April, 6-8.30pm
18 - 28 April (Thursday-Saturday, 1-5pm)
Open for SLAM Last Fridays 6-8.30pm
Artists & Curators Dialogue - Saturday 28 April, 4-5 pm

at Zeitgeist Project Space, ASC Bond House. Goodwood Rd, London SE14 6BL